Digressions – The future for independent music

Nothing sums up the brutal futility of the Israel/Gaza war more succinctly than Two Brothers, a folk song by UK songwriter Pete Morton. The lyric imagines a mother, fed up with the squabbling siblings, Israel and Palestine: “I don’t care who started it, just try and get along.” Morton’s song has been criticised as ‘condescending,’ that it trivialises a complex Middle East conflict. But the central message – a call for peace – can’t be…

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The future for record stores

While my friends in New Zealand were still at school, I was making apprentice wages, spending almost all of it on records. Our small town didn’t have a record store as such, but the local department store stocked the latest pop records. At the time, LPs were pressed at a factory in Wellington owned by His Master’s Voice (HMV). My copy of ‘Please Please Me’ (The Beatles), for example, was issued by Parlophone in Mono….

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How we listen to music in 2022

This week I decided to reflect on the many ways we can listen to music in this digital age. We’ve come a long way since the first recording etched on to a wax cylinder in 1860. In just 50 years, the mainstream way of listening to music has moved from vinyl LPs to cassettes to CDs and now to online streaming. It’s been quite an evolution. This FOMM was inspired by a frustrating search for…

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Little boxes – the genre-fication of music

Yes I know it’s my fault, but early in the days of turning my music into online MP3s, I accidently chose Christian Rap as a genre for one of my songs. The song I incorrectly categorised is called 53 & Fragile, about a fellow taking stress leave to ponder his future. I guess you could rap to it, in a God-less sort of way. It only took three years to discover this error. An enterprising…

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