Digressions – The future for independent music

Nothing sums up the brutal futility of the Israel/Gaza war more succinctly than Two Brothers, a folk song by UK songwriter Pete Morton. The lyric imagines a mother, fed up with the squabbling siblings, Israel and Palestine: “I don’t care who started it, just try and get along.” Morton’s song has been criticised as ‘condescending,’ that it trivialises a complex Middle East conflict. But the central message – a call for peace – can’t be…

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The future for record stores

While my friends in New Zealand were still at school, I was making apprentice wages, spending almost all of it on records. Our small town didn’t have a record store as such, but the local department store stocked the latest pop records. At the time, LPs were pressed at a factory in Wellington owned by His Master’s Voice (HMV). My copy of ‘Please Please Me’ (The Beatles), for example, was issued by Parlophone in Mono….

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How we listen to music in 2022

This week I decided to reflect on the many ways we can listen to music in this digital age. We’ve come a long way since the first recording etched on to a wax cylinder in 1860. In just 50 years, the mainstream way of listening to music has moved from vinyl LPs to cassettes to CDs and now to online streaming. It’s been quite an evolution. This FOMM was inspired by a frustrating search for…

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Misheard lyrics and a sentimental playlist

Last Sunday, as we performed my only country song, Crossroads of Love, I allowed myself a sly inward chuckle at the misheard lyric (well, I mishear it): “So I look for directions in the stars high above’’. It’s the kind of misheard line you’d expect of a 70-year-old bloke, but I’m not about to elaborate. This is a family show. My songwriter friend Kelly Cork likes the song; he thinks it is a sin of…

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